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An almost Christian image, I thought, almost poetic, Jesus in the hands of Mariah.
Mariah holding baby Jesus and already visioning his future death, alongside the bird as some kind of prosthesis accessory, exposing the unsaid – here, someone died in the hands of a very living someone.
Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.
He doesn’t kill them, it’s important to say, Yuval is the most non creepy person I’ve met and still, I was amazed by the way he creates beauty from this death, present it, displaying it beside the bodies of young men who carry them as carrying their own death.
‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.
I work with it in terms of size and placement, and then begins the slow and meditative practice of putting paint to porcelain.
He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.
I was immediately sorry I hadn’t thought of it myself, that I hadn’t stolen him from life, into my story.
There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.‘As my work with natural subjects becomes more detailed, so my subjects become more assertive,’ the artist states.However, it soon becomes clear that all is not quite as it seems.Susan departs from a straightforward replication of flora and fauna by concocting strange hybrids or by exaggerating features, such as piercing eyes to convey the extreme visual acuity of an eagle.